i have been meaning to start work on that book that amir prompted. but i have been shuttling between topics, unsure of what to focus on.
he suggested i focus on technology, and i thought about it for awhile. how technology has shaped desires, pleasures, identities. how they shimmer across our landscape and disrupting what is real with what is imagined and fattening the space between flesh and text with fantasy.
but it sounds too much like work. i’ve been meaning to write a paper on that from films of desire, and then for agenda, and then thinking through it through the platform of film. either way, it’s all related to work. i love my work, but i guess i also need windows i can climb away from to stop myself from calcifying into a singular point of view.
then i started thinking about paper dolls. when i was younger, i used to buy these paper dolls, printed on cardboard sheets, with their form traced through perforation. they were much cheaper than real dolls and i could pretty much do the same things with them. clothes and accessories were printed on the same sheet with tabs that i could fold over the shoulders, arms etc of the paper dolls. they looked a little like this:
they all have the same open-mouthed, big-eyed smile and are always so happy to dress up for the next story. and the clothes compel the narrative. if it’s a school uniform, we’re either being truant or having a school adventure. if it’s an evening gown, we’re going somewhere fancy, maybe a date. nevermind that there aren’t usually paper dudes, cross-dressing in our minds is perfectly fine.
i started thinking about the way we cloak people in identities at the moment. someone led me to this article about islam and democracy. the first thing that caught my eye was the image. the woman in a veil, with her face exposed only to betray an expression of servility, the masked man looking like a demon with skin disease. it was another superb take on an already stuffed album about islam, women, west, liberation, brutality, civilisation and mystique.
the comments intrigued me. most had no problems dishing out judgment calls, with the careless arrogance of entitlement. some actually went a little deeper to disrupt the simplicity evoked by such an imagery through complicating the question. and a few drew parallels to reveal the same side of the mirror that both west and islam seem to occupy, albeit through casting a diachronic (chasing of civilisation?) lense.
so simple. clip on a veil, you have a story about islam. put it in new york times, you have a comparative study. and the drama, mythologies and tales of origin get more and more excitable. like a story telling competition. we weave greater and more intricate spider webs to catch the paper dolls as nothing more than an iconic example of millions of gasps in billions of seconds at hundreds of spaces.
who are we to speak? to see? to play? paper dolls can never become real. their mouths are forever open in a gracious smile without a voice. their limbs are stuck in the same place, waiting to hold whatever implement we choose to place on it, and the meanings we confer through suggestions.
i always imagined that the dolls come alive when i’m not looking, having completely different kinds of lives than the brief, plastic ones i fashioned for them. probably thanks to enid blyton stories i read as a kid. but when they choose to become real when i am also real, i wonder what happens to the both of us now. i would have had more new friends at a more innocent time. now i learnt to fear what is unknown and ungraspable. i might just… burn them.